Kris Anderson, Portrait and Illustrative Photographer
"Switching to an EIZO monitor had a massive impact on my workflow. I tend to make visually dark images, so maintaining shadow detail can be a challenge. I found adding the EIZO to my workflow meant much better control over colour and shadows, and fewer surprises when printing. It's definitely shortened my edit-print-adjust cycle. I appreciate that colour and tone are uniform from corner to corner, and the automatic calibration means one less thing to do. I wasn't expecting my eyestrain to be lessened when I switched, but the difference was noticeable."
Visit Kris' Whats on my Desk page to check out his photography post-production equipment choices - computer, printers, storage and more.
Dr Les Walkling, Contemporary Artist & Master Printmaker
“I tend to invest even more in my production monitors than my computers because the monitor is the window into my creative world. I don’t hold back when it comes to the quality of my images, no matter where they are displayed.”
Les taught all of us at EIZO APAC (and many others around the world) about colour management. Click here to read his case study and view some of his powerful masterpieces.
Tony Hewitt, Commercial and Fine Art Photographer
“I find EIZO monitors to be honest and provide me with a true a realistic rendition if my images… excellent depth and detail”
Click here to read Tony's case study and view a selection of his beautiful photographic art.
Peter Eastway, Commercial and Fine Art Photographer
“An incredible evenness of the screen and highly accurate colours”
William Long, Commercial and Fine Art Photographer
“My first EIZO was a revelation. Finally, I had a monitor that could display exactly what I was working with”
Jackie Ranken, Fine Art Photographer & Master Printmaker
“I’ve found that I’m able to trust what I’m seeing much more, I can detect any problems in advance that may appear in the print”
Karen Alsop, Digital Photographic Artist
“The detail in the shadows and highlights are now visible. Depth of colour – I couldn’t even see on my previous monitor”
Marcus Bell, Wedding Photographer
“I’ve got complete confidence that what I’m capturing is what I’m going to be able to see on the monitor, and then edit it accurately to get exactly what I want in print”
Sean Scott, Ocean Landscape Photographer
"Working on an Eizo monitor I can bring out details in my images I couldn’t usually see... my images now feel more complete. I am now re-editing my whole catalogue, the difference I get in the colours are amazing, even the black and white and the shadows. It's a game changer”
Wesley Wong - Master Printmaker
"The EIZO is so sensitive to changes in colors, even a minute setting or a +1 move on the adjustment slider is displayed clearly and accurately. Having such an accurate wide gamut monitor also enables soft proofing to be done effectively before making the print."
James Tan, Master Printmaker
"The quality of monitors directly affects the accuracy of how the digital image is rendered. To draw a parallel using more familiar terms, having an inaccurate monitor in a photography workflow is akin to trying to sing a song without the ability to hear yourself properly. The result is normally quite terrible. I give clients the best by using only the best ."
Ken Duncan OAM, Landscape Photographer
"People think they are saving money by having a cheap monitor, but in the end they're not. Ink, time and fine art paper is not cheap. In this business you have to embrace technology. If you can minimise your wastage factors, that's where your profit is."