Peter Eastway is an Australian photographer known internationally for his landscape photography and creative use of post-production. A practising professional, he shoots editorially (mainly for Better Photography magazine) and works selectively in advertising and portraiture.
Peter has been involved in photographic magazine publishing for over 30 years, establishing his own title, Australia's Better Photography Magazine, in 1995. As a result, Peter and his websites are a wealth of information and inspiration for amateur and professional photographers.
Peter’s work has been published and exhibited internationally over the past 40 years. He was the author of the Lonely Planet’s Guide to Landscape Photography. His photography has featured on the cover of the Lonely Planet’s guide to Australia, in articles in the Qantas inflight magazine, and in an international Apple television commercial. And he has worked with Phase One researching and promoting its high-end medium format cameras and Capture One raw processing software.
He was one of the featured photographer in the Tales By Light television series aired on the National Geographic Channel in Australia and produced in partnership with Canon Australia. It can currently be viewed on Netflix.
Peter’s early landscapes were primarily black and white, carefully printed and toned, but with the advent of digital photography, he is taking a leading role internationally, creating a New Tradition of high quality imagery, and speaks about ‘invisible Photoshop’.
Peter speaks nationally and internationally on topics including landscape photography, Photoshop techniques, publishing and the business of professional photography.
Peter is in his fifties, rides a short surfboard, believes two skis are better than one, and in case you're buying him lunch, he is vegetarian.
Peter edits his award-winning masterpieces on his ColorEdge 4K monitor.
Why EIZO?
"An incredible evenness of the screen and highly accurate colours."
"A couple of years ago, Eizo had a special booth at a trade show. Inside the booth you could see two versions of the same image: one was an inkjet print, the other an Eizo monitor. However, there was no indication to say which was which and visitors were invited to guess. Most people couldn’t tell the difference and simply guessed. I think that test alone explains why I feel EIZO monitors are crucial to my workflow."
Photoshop Tutorials for EIZO Users by Peter Eastway
Peter's article on "FlexScan Monitors for Photography"
EIZO FLEXSCAN ADMIN MONITORS FOR GENERAL EDITING > CLICK HERE TO READ MORE
